UpdatesCreate gnarly battle damage for vehicles using a mix of Maya and Nuke 01 mins Whiskytree’s CG supervisor J.P. Monroy reveals the studio’s process for generating realistic battle scars on fighter planes. Post navigation Previous: The Jaguar rebrand has finally won me over after the Type 00 stole the show at Paris Fashion WeekNext: How this 3D artist added a realistic touch to his DreamWorks-inspired character using ZBrush and Maya
